1. The little Flowers of St. Francis, tr. by Raphael Brown (Garden City, New
York: Hanover House, 1958). Pp. 18, 317-318.
2. Article "Franciscan Friars," The New Grove Dictionary of Music and
Musicians (6th ed)., Stanley Sadie, ed. (London: Macmillan, 1980), VI, 776-777.
3. Ibid.
4. Extensive article titled "Lauda spirituali," New Grove Dictionary (1980), X,
538-543. Article "Lauda," The New Harvard Dictionary of Music, Don Michael Randel,
ed. (Cambridge, Mass.: Harvard University Press, 1986), 441-442.
5. Article "Solesmes," New Grove Dictionary (1980), XVII, 452-454.
6. Paléographie musicale, 19 vols. Ed by. Benedictines of Solesmes, Dom
A. Mocquereau to 1930, Dom J. Gajard since 1931. Pub. began in 1889. Contains facsimiles and
studies of Gregorian chant manuscripts.
7. Dictionary of Plainsong, 2 vols., Dom David Nicholson, ed. (Private edition,
1971). Information from Dom David Nicholson cites the following institutions as having been sent
copies: Library of Congress, Washington, D. C. (2 sets); Harvard University, Cambridge, MA;
Northwestern University, Evanston, IL; Columbia University, New York, NY; Yale University,
New Haven, CT; University of California, Berkeley, CA; Mt. Angel Abbey, St. Benedict, Oregon;
Abbey of Solesmes, France; Pluscarden Priory, Elgin, Moray, Scotland; University of Edinburgh,
Scotland; British Museum, London, England; Oxford University, England.
8. Artide "Notation," New Grove Dictionary (1980), XIII, 348.
9. S.J.P. Van Dijk, Sources of the Modern Roman Liturgy, vol. 1 (Leiden: E.J.
Brill, 1963), 112-113.
10. These two manuscripts are placed side by side for easy comparison in the article
"Franziskaner," Die Musik in Geschichte und Gegenwart, Friedrich Blume, ed. (Kassell u.
Basel: Barenreiter, 1949-1968), IV, plate facing cols. 833-834.
11. Donald Jay Grout, A History of Western Music, 3rd ed. (New York: W.W.
Norton, 1980), 36.
page 57
12. Extensive information on "Medieval modal theory," New Grove Dictionary
1980), XII, 378-396. Article on "Church modes," New Harvard Dictionary (1986), 499-501.
13. Van Dijk, op. cit., 68-71.
14. Graduale Romano-Seraphicum, ed. P. Bernardini Klumper (Tournai:
Descl&ecute;, (1924), (119).
15. Introits which begin with the "Gaudeamus" motive, and their source in the
Graduale Romano-Seraphicum are: Charitas Dei (40), Erat haec (140),
Gaudeamus, feast of St. Francis (119), Gaudeamus feast of all Franciscan Saints
(150), Scitis quod locuerim (32). This motive also opens the first Antiphon of the First
Vespers, Franciscus, vir catholicus, for the Office of St. Francis, cf. Antiphonale
Romano-Seraphicum pro horis diurnis (Tournai: Déclee, 1928), 967.
16. Examples of such initials may be seen in: Richard Hoppin, Medieval Music
(New York: W. W. Norton, 1978), 111, 117.
17. P. Fr. Eusébe Clop, O.F.M., Le Chant dans l'Ordre Seraphique
(Solesmes, 1900), 83.
18. Graduale Romano-Seraphicum, (106).
19. Graduale Romano-Seraphicum, (51).
20. Graduale Romano-Seraphicum, (162).
21. Hoppin, Medieval Music, 15.
22. Liber Usualis (Tournai: Desclee, 1956), 780.
23. Graduale Romano-Seraphicum, (126).
24. Liber Usualis, 1646.
25. Graduale Romano-Seraphicum, (121).
